|   Click 
                    here to find more articles 
                     
                    A BRIEF HISTORY OF SANOER  
                     
                    It is in Blanjong Temple in Sanur that 
                    one finds the oldest edict in Bali, carved in stone and dating 
                    from 914 AD. Built on the delta created by the soil and sand 
                    carried down to the Badung Straits by the mighty Ayung River, 
                    this edict proves that Sanur was an important trading post 
                    at a very early date. Famed as one of the few theocratic villages 
                    in Bali and ruled by powerful Brahmana families, Sanur's reputation 
                    for magic and secret knowledge has inspired as much fear as 
                    awe, supported by an intense tradition of trance. In particular, 
                    this area, especially the coastline leading down to Mertasari 
                    and Turtle Island, was reputed as a favourite haunt for leyaks 
                    and other such malevolent spirits and witches. Considering 
                    that the main temple for the worship of Rangda, queen of the 
                    witches, is located on the island of Nusa Penida just across 
                    the strait, this would not seem unusual.  
                     
                    To most early visitors to Bali, Sanur, along with Kuta, was 
                    one of only two major ports for the powerful kingdom of Badung 
                    (whose capital now goes by the name of Denpasar) in the 18th 
                    and 19th centuries. When Western attention finally came it 
                    was not via a pleasant introduction to the modern world but 
                    in the form of a fleet of warships and troops moored off its 
                    coast in 1906. Only a year before, a small trading schooner 
                    from Borneo, the Sri Koemala, had been stranded and plundered 
                    on the same reef by the local residents, according to their 
                    ancient tradition. The Dutch colonial authorities demanded 
                    that the owner be reimbursed, but the princes of Badung refused 
                    and after unsuccessful negotiations the fleet arrived. 6,000 
                    troops landed and the capital was bombarded as a military 
                    expedition marched to their palaces. Rather than surrender, 
                    the princes set their palaces on fire and marched out wrapped 
                    in the richest silks and golden kris' in a hopeless attack 
                    known as a Puputan, a ritual form of suicide, leaving a heavy 
                    stain on the page ending South Bali's independence.  
                     
                    By the 1930's, Sanur was the island's premiere beach resort. 
                    No hotels had yet been built but day visitors from Denpasar's 
                    luxury Bali Hotel were frequent. The home of Le Mayeur, a 
                    Belgium painter, and his beautiful Balinese wife, Ni Polok, 
                    was the favorite destination. Today their home is a wonderful 
                    museum much in need of renovation (hopefully some funds will 
                    be used here). Further south, the German Neuhaus brothers 
                    and friends of Walter Spies built an Aquarium and art gallery. 
                    It was there that Walter Spies' cousin was attacked and eaten 
                    by a shark. Next door to them lived the American dancer Katherine 
                    Mershon, who aided Margaret Mead in her studies. She was followed 
                    by the Swiss painter, Theo Meier, and finally the Dutch painter 
                    Dake. Stories of this remarkable line up are often told by 
                    Hans Van Praag, who lived among the former artists in the 
                    1930's. Now 92 years old, he moved back to Bali several years 
                    ago and still speaks of the stunning beauty of Sanur's sunrise 
                    illuminating the height of the sacred mountain Gunung Agung 
                    and Nusa Penida's white cliffs as the colourful sails of the 
                    Balinese outriggers came home with fish. This scene is sometimes 
                    found in the works of the community of very talented Balinese 
                    painters who lived and worked in Sanur at the time.  
                     
                    The Japanese invasion and the independence struggle changed 
                    all this and paved the way for the arrival of a new generation 
                    who would set the stage for Sanur's next phase. Prominent 
                    among these was the Australian painter Donald Friend who inspired 
                    Batu Jimbar by building his private palace there and setting 
                    a new standard in Bali lifestyles. Nearby, Jimmy Pande, the 
                    most famous of Bali's antique dealers, rented rooms out and 
                    hosted sumptuous meals for guests such as a young Adrian Zecher 
                    long before Aman resorts was even conceived. 
                    Big hotels arrived in Bali with the Bali Beach, the island's 
                    first and only high rise which was constructed at the end 
                    of the Sukarno era from Japanese war indemnification's. Others 
                    such as the still popular Segara Village and the Tanjung Sari 
                    came shortly afterwards. In 1973 the Sanur Hyatt was built, 
                    with it spacious gardens and magnificent lobby full of stunning 
                    Balinese antiques.  
                     
                    Despite the fears of decay, Sanur is still the preferred destination 
                    for a host of tourists and expatriate residents who would 
                    not dream of staying anywhere else. It has suffered little 
                    of the indignity which has transformed other parts of Bali. 
                    It's the real thing and with sensitive renovation will once 
                    again regain a well-earned prominence as we approach the third 
                    millennium.   
                   
                  by Bruce Carpenter of Sanur  
                  
                  
                   Click 
                    here to find more articles 
                   
                 |